uncovering the individualist, iconoclast, leader, follower, imitator, trend-setter, inspired and independent; the whore, slut, prude, effeminate, delicate, and luxurious; the animal, the gruff, the masculine, and the muscle-flexing; the smooth, the rough, the balanced and unbalanced, the harmonious and unharmonious, the reserved and outspoken, the adamant and uncertain and the confused; and the simple-minded, homogenous, insipid, and uninspired; in the expression of wine.

Friday, December 4, 2009

Silver Stag


Vintage: 2004
Producer: Silver Stag
Appellation: Tulocay, Napa Valley
Grape: Cabernet Sauvignon
On My Palate:

Very masculine. Lead minerality. Fruit is understated but present and very fresh.

Yes, lots of oak, but melds well with this cool-climate Cab.

The Dregs:

Finally, an expression of Napa Valley’s versatility. Silver Stag’s vineyard is at the south end of the valley, about three miles north of San Pablo Bay. This is cool climate Cab, a high quality wine that lip-smacking wine hedonists have made an anomaly.

This Cab packs enough muscle to ensure that the most macho wine drinker still feels manly while he swirls and sniffs, yet smartly overlooks the over-extracted, cloying expressions of its northern neighbors.

Silver Stag successfully harnessed its cooler, bay-influenced microclimate to produce balanced fruit, which has stood the test of lengthy oak aging and come out, yes, a better wine.

Tulocay is/was close to gaining AVA status, but proud locals who call this area Coombsville are putting up a fight.

Where:

At the restaurant before the dinner service with waitstaff and management and anyone over 21. An appropriate and important icebreaker before service.

Stella Rosa


Vintage: N/V

Producer: Stella Rosa

Cuvée: Il Conte d’Alba

Appellation: Piedmont


On My Palate:


Red fruit. Very floral. Light body and refreshing. Lovely.


The Dregs:


Yes, a sparkling red wine. And please don’t snub your nose. Nobody has more experience making bubbles in red than the Piedmontese, the people of Northwestern Italy.


This wine is delicious, and anyone who is scared to admit this suffers from a psychological block rooted in unfounded, cultural myths regarding the inferiority of sparkling red wines.


This is the happy-making wine without the bells and whistles and at a fraction of the price of Champagne. It replaces the funkiness of Champagne’s dead yeast cells with fresh red fruit and flowers. The starlet next to the face-lifted has been.


The Christmas wine?


Where:


At the restaurant before the dinner service with waitstaff and management and anyone over 21. An appropriate and important icebreaker before service.


Must Experience.

Tuesday, December 1, 2009

Chapter 1: Seattle to Healdsburg

Seattle to Healdsburg

Michael wakes me up at 7:30 in the morning. “You gotta go now. If you go back to sleep, you’ll never wake up.” I close my eyes. But I know he is right, and suddenly I am picking up my clothes from the night before off the floor, dressing, and walking outside into a gray Seattle morning—three days after the summer solstice. By 8 a.m. I am headed south on I5.

I chew sunflower seeds incessantly to stay awake as I drive through billowing, gray clouds that pelt my car sporadically with rain. I eye the car radio’s electric clock constantly, my sole meter of progress. Luckily, two hours into the trip, my gas meter hits E. I am allowed a stop.

I turn off somewhere outside of Kelso, lured by a sign depicting the outline of a gas station. I suddenly have an immediate need to shit—the sunflower seeds playing tricks on me—and, the advertised gas station not in sight, I slip down a damp, vegetal embankment and drop my pants.

Tego Calderón’s reggaeton rattles the rearview mirror. I finally drive out of the clouds about halfway through Oregon. I stop in Ashland. Adolescent hippies play in the sun on a patch of lawn. I walk into a sandwich shop and discover that the entire menu is vegetarian: veggie burgers, veggie wraps, and salads. I order the salmon burger with blue, cracked-corn tortilla chips and homemade hummus. At the neighboring espresso cart, I order a double short latte, and on the way back to the car I realize that it had been made with soy milk. I dump it out.

Pine trees and rolling, yellow-brown hills, then Mt. Shasta, barren and white in the distance. I drive towards it and around it, past Shasta Lake, and drop down into the Sacramento Valley. No more clouds. I count off the towns on the road atlas that lies on the seat next to me: Red Bluff, Corning, Orling. I turn off the interstate at Williams after twelve hours of driving.

The sun sets in front of me as I drive west out of the valley and into the hills; it is dark by the time I turn south towards Calistoga. The envisioned climax of the trip—winding through Napa Valley’s vineyards at sundown—is lost. Instead, I battle oversized SUV’s up and down overgrown, tunnel-like switchbacks. I arrive to Gretchen’s house—where I am to rent a room for $420 a month—in Geyserville at 10pm, fourteen hours after leaving Seattle.

Gretchen is older than my mother. She has short, gray hair and is slightly lumpy. “When my husband died in 2003, I started housing winery interns. I didn’t want to be alone.” Her middle-aged Dalmatian, Ozzie, jumps up my leg and whines. She asks if I am hungry and takes four Tupperware containers out of the fridge. “Grilled, rosemary chicken, steamed broccoli, garbanzo beans with onions and garlic, and chocolate pudding.” Yes, I am hungry after a day of sucking on sunflower seeds. I eat.

Pippen Winery requires a mandatory physical and drug test (UAV as those in the know say), and at 11 a.m. the next morning, I report to the Healdsburg District Hospital. I am directed to the emergency wing, and I sit down next to a Latino man with a distressed look and a bandage over his left hand. I am called and sent to another wing where I am given a small, plastic cup. “Go into the bathroom and urinate in the cup, but don’t turn on the water or flush the toilet,” a young nurse tells me.

Later, I am back in the emergency ward where another nurse questions me about existing pulmonary and cardiac disorders. The phone rings, and I am sure that it is the urine testers calling to tell her that my pee is dirty with drugs. But she doesn’t kick me out. Later, a third nurse enters and hands my current nurse a Xerox copy that appears auspiciously to be test results. She buries it in her clipboard and shows me how to properly lift heavily objects using my legs.

Pippen Winery is on Alexander Valley Road, just north of Healdsburg. The property itself is a dream and a testament to the virtues of being a multimillionaire: Peter Pippen bought the land and built his winery with oil money in the mid-1970’s. The road to the winery winds around hills for two miles: through Sonoma’s signature (and highly flammable) yellow-burnt grass and the gnarled live oak trees adorned with hanging, turquoise-green Spanish moss. Not a vineyard in sight, and then I arrive to the winery—a massive, manicured, California ranch house meets French Chateau in the 1970’s. Suddenly, a wave of deep green sweeps me up—the lawn and ivy-clad winery walls. The wonders of irrigation.

I am greeted by the assistant winemaker, Donald, who is South African and sounds like Leonardo DiCaprio in Blood Diamond, although I avoid pointing this out to him. He towers over me. His height makes me nervous, so I fold my arms across my stomach and square my shoulders to him as if he might tackle me at any moment.

I am also greeted by April, who is, apparently, my supervisor in corporate winery talk. She asks me how everything went at the hospital. “Fine.” “Well, I guess we won’t really know until we get the test results in. Do you use drugs?” “Of course not.” “Then you have nothing to worry about.” She hands me a movie script-sized pamphlet of papers—confidentiality agreement, arbitration information, permission to perform a background check, among other things—that I am to read, sign, and return the next day. I feel like I am making the biggest commitment of my life. My contract ends December 20.

In Healdsburg, I eat a turkey sandwich at Les Costeaux, the neighborhood French bakery. I am alone, faced with an afternoon alone in sweltering heat in this Disneyland-for gray-haired-epicureans. A few of them sit at scattered tables around me, silent, sweating, and seemingly exhausted.

At every corner, signposts mark the direction of dozens of shops. At any one intersection, a store will have two signposts (one on each of two adjacent corners), so you are sure not to lose your way. I follow the sign toward the Toy Chest. This is where my landlady works alongside her son, who, on my landlady’s suggestion, will be happy to give me the low down on what young people do in Healdsburg.

The store is packed with toys, as toy stores are, and I recognize the red-haired young man behind the counter. I have seen him as a mulletted 15-year-old high school basketball player in the pictures on Gretchen’s walls.

“You ate there?” He asks me incredulously. “Not exactly what you’d pay for a sandwich anywhere else, huh?!” I agree—nine dollars for a turkey sandwich. “Try eating a meal out on the square! But there are some local burgers around that aren’t so pricey.” The conversation quickly jumps to girls—to his 18-year-old girlfriend (he’s 33), to the crop of young, international women that fall onto Healdsburg during harvest (last harvest his roommate dated a “Portuguese chic”), and to the best towns in the area to party in. Cloverdale, he explains as his 16-year-old employee, Page, smiles nervously, is not hip.

It is refreshing to find a local, an honest observer of Healdsburg’s, and Sonoma’s, gentrification. The benefits to him are not the new, kitsch boutiques or world-renowned restaurants, but the young girls and the boost in toy sales. “Grandparents are our best customers.”

The next day at the winery, I watch VHS’s of mustachioed men with mullets lifting heavy objects with their legs. A pock-marked 70-year-old man talks to me about ergonomics, followed by an overweight safety consultant, who expounds from behind his desk on the dangers of twisting your back while lifting. I am very drowsy and must stand up to stay awake. My mind wanders, and I realize I’ve completely missed the section on flammable goods. I have no idea what the difference between combustible and flammable goods is. The narrator asks me this during the workbook examination period at the end of the chapter. Luckily, I don’t have a workbook, and I fast forward to the next section.

I am introduced to the other employees. Topher is a lab intern from South Africa. He tells me that he has been in wine school in Stellenbosch for nine years. His arms are the size of my legs, but no, he does not play rugby, and he otherwise seems very gentle. He nervously pinches at the belly of his navy blue polo shirt as he talks to me.

Judy is a roly-poly girl from Wisconsin with a big smile and a cheerful, chirpy voice. She is quintessentially, charmingly Midwestern. She recently graduated from U. C. Davis and has been working in Pippen’s lab for a year.

And there are the Mexicans. Eduardo is the cellar foreman; Chito, Mateo, and Chris his crew. Julio, Vato, Lento, Pepe, Vago, and Gordo are the bottlers. I am excited to speak Spanish with them. The work force seems to be divided between upstairs and downstairs, the Mexicans doing the physical work downstairs and the “güeros” in their offices and labs upstairs.

Yet there appear to be a few bridges between these two worlds. Topher has already learned a couple naughty phrases in Spanish, and he has written a few phrases in Afrikaans on note cards in exchange. April speaks surprisingly good Spanish, which has helped her develop a special rapport with the “downstairs” workers.

I observe throughout the rest of the day. In the lab, I watch Topher squirt something into a beeker. On the “line, I stand with ear muffs over my ears watching bottles twirl past, first empty and naked and finally full, corked, sealed, labeled, and boxed—a dizzying exposition in the magnificence of machinery.

By 4:30 I am exhausted after my first full day of work in almost a month. I am too tired to stop by Big Joe’s supermarket (the ultra-flash Healdsburg supermarket where every ingredient is labeled as organic, local, fresh, or low-cal) or to think about preparing dinner. I drive north on 101, hoping that Gretchen hasn’t finished he Rosemary chicken. At the Geyserville turn-off, I propitiously discover the local taco truck and immediately pull over.

Alberto has a shaved head, goatee, and wears a white t-shirt. He is the stereotypical Mexican hired by Hollywood to play the East L.A. gangster. He smiles and greets me, “Buenos Días.” I ask him what I should have for dinner, and he suggests four tacos; dos con carne and dos al pastor. I stand in the gravel in front of his caravan, surrounding by the evening sun and Sonoma’s ever rolling hills. “Where are you from?” He asks me. “From Seattle.” “So do you have papers?” “Yeah, I was born in America. You?” “No, I’m illegal. I’ve been here for a year now, but I haven’t had any problems. Except for when the police took my pick-up. They can do that if they pull me over since I don’t have an American license.” I eat the tacos—four bunches of meat, each atop two small tortillas and adorned with jalapeños and radishes—while I talk to him. It is nice to talk to someone before going home to spend the evening alone. I grab a Jarrito from his now melted ice bucket, and he gives me a slice of lime to dribble into it. He orders me to hand him a Jarrito, too, and he shows me how to put salt into the Jarrito to make it fizz; the ultimate hangover cure.

Two black men drive up in a caravan. One gets out and orders a taco and a beef quesadilla, “You know, with rice and all the fixins. What do you want to drink?” He asks his friend. He sticks his hand in the melted ice. “All your ice melted! All his ice melted. Oh, man! What you want?” His friend climbs out of the caravan and discovers the tootsie roll pops. “I’ll take four tootsie pops. Four!” He gets Alberto’s attention and shows him his four fingers.

Another car arrives and two Mexicans—dust-beaten jeans and heavy, dirty boots—approach the caravan. But Alberto is busy cooking, so they wait patiently. “Mucho trabajo?” The black man asks new arrivals. “Mucho worky? Much dinero? Mucho monee?” The Mexicans latently nod. One of them leans purposefully against the caravan.

I wasn’t sure that Alberto spoke English, but he produces two heaping portions for the black men, and they are noticeably eager and excited. They leave. I quickly pay Alberto. He only charges me five dollars.

Wednesday, November 25, 2009

Domaine Santa Duc


Vintage: 2001
Producer: Domaine Santa Duc
Appellation: Gigondas

On My Palate:

Raisin-ated , stewed black fruit. Sweet, black fruit syrup. A monster.

Dries up quickly on the backside. Very tannic for a Grenache-based wine.

Masculine, muscular, and dark overall.

“Like licking an armoire,” adds my tasting partner.

The Dregs:

Gigondas is the quintessential wine commune. Vineyards hug the slopes at the base of the lace-like, limestone cliffs—the Dentelles de Montmirail—that jut into the air to outline the Vaucluse department’s natural skyline.

Gigondas and its winemaking neighbors—Vacqueyras, Cairanne, Sablet, Rasteau, Beaumes de Venise—sprinkle the hills that rise out of the Rhône river basin, above the plateau of the area’s famed, attention-grabbing superstar, Châteauneuf-du-Pape.

These are Southern France’s most promising, most established, and yet quietest appellations. They sit on the edge of the Châteauneuf-du-Pape black hole, whose unavoidable pull attracts international consumers, critics, and accolades who, for the most part, thankfully ignore the neighboring Grenache-based wines (too far from the interstate?).

Up front, this wine entices with a hint of the provocative black fruit that defines the most noble Grenache from the South of France, whose best expression relies on the complexities of its fruit (think Mediterranean sunshine, olive trees, lavender, and sunflowers) and not its time in barrel. Yet Domaine Santa Duc uses oak to muscle over this otherwise feminine, graceful wine—forcing it to be a wine that it never was (a father forcing his effeminate son to play football instead of dancing ballet) while masking its honest and head-turning qualities.



Where:

At home with veal escalope and peas.

Thursday, November 19, 2009

Beaujolais Nouveau


Vintage: 2009

Producer: Georges Duboeuf

Appellation: Beaujolais Nouveau


On My Palate:


Bananas and fresh red fruit. Dry (!) and fresh.


The Dregs:


Yes, Beaujolais Nouveau est arrivé, and the arrival still creates buzz. Marketing is behind most of the noise (who doesn’t want to throw back a colorful, flower-laden bottle of bright purple elixir?), but even the “King of Beaujolais” can’t escape the quality-conscious revolution that New World palates are marching behind. That sweet, punchy, headache-inducing grape juice of the 70’s, 80’s, and 90’s won’t cut it today among wine drinkers who have graduated beyond white zinfandel, even if they are still stuck on their tropical chardonnays.


This year’s Nouveau is, dare I say it, enjoyable and particularly suited for the mid-fall fête that announces this wine’s anticipated annual release date (the third Thursday of every November). No, this wine is not meant to sniff, swirl, and slurp; but to drink, and drink lots of. It is fresh and fruity—the perfect cocktail and icebreaker for the assorted fêteurs (the wine geeks and pseudo-aficionados, the Francophiles and Fakeophiles, the almost cultured and uncultured, the almost classy and unclassy, the boozers…) who emerge from disparate places to inebriate in hoards.


Could Beaujolais Nouveau producers finally be trying to attract wine drinkers to the quality of Beaujolais? For decades, most wine drinkers considered the whole of Beaujolais to be a joke thanks to the profit-minded, marketing-savy Nouveau producers (the Duboeuf family sells 2.6 million cases of wine—not all is Nouveau—a year!). But there is more to the area than November’s third Thursday production! More later…


Where:


Outdoors at the Hawaiian-themed Bali Hai Restaurant on San Diego Bay, host of the annual San Diego Nouveau party. Performances by hip-shaking, half-naked Tahitian dancers. Fried chicken tenders and greasy eggrolls to eat. All to the backdrop of, thankfully, the dazzling San Diego skyline.

J. Jenkins

Vintage: 2008
Producer: J. Jenkins Winery
Appellation: Julian
Grape: Viognier

On My Palate:

Very varietal specific and genuine. Oily, nutty, honeysuckle. Rich without being oaked. Bone dry yet refreshing acidity. Some stone fruit, but missing some of the fruit/floral expression that lifts up the best Viogniers.

A welcome surprise and effort from an overlooked, up-and-coming wine producing area in Southern California.

The Dregs:

The California wine atlas continues to chart new territory. Instead of smacking their lips in the anticipation of tasting new wine from a new area, most wine drinkers lift their noses and quickly snub San Diego County’s vinous efforts. Maybe the wine glut is just too confusing. It would take over 500 meals to semi-adequately work your way through the wines of Napa Valley wine country, let alone neighboring Sonoma County and the rest of the enormous, vineyard-laden state of California. And if we start paying attention to San Diego County, then there’s no reason not to continue south of the border to the Valle de Guadalupe. Yet, there are, sadly, a limited number of meals to one lifetime.

Yes, I was surprised to find such a varietal-specific expression of Viognier from a seemingly quality-conscious producer in San Diego County. The stuffings of Viognier are all there, minus the new oak trap, which plagues so many green winemakers hoping to make a splash in the masses with their newest releases.

Jenkins’ plantings are some of the highest in the state at over 4,000 feet. Could high altitude plantings put San Diego County on the wine map just like Chile and Argentina?

Thank you, Mr. Jenkins, for using a variety, Viogner, that has already proved itself in a Julian equivalent—the baking hot summer sun, frigid winter, and relentless winds of the Rhône Valley. It is, after all, almost impossible to draw any parallels between Julian and Bordeaux. Best to accept this before planting than after.

Where:

Outdoors at the Hawaiian-themed Bali Hai Restaurant on San Diego Bay, host of the annual San Diego Nouveau party. Performances by hip-shaking, half-naked Tahitian dancers. Fried chicken tenders and greasy eggrolls to eat. All to the backdrop of, thankfully, the dazzling San Diego skyline.

Tuesday, November 17, 2009

Domaine de Poyane


Vintage: 2007
Producer: Domaine de Poyane
Appellation: Vin de Pays Côtes de Gascogne

On My Palate:

Alive out of the screw cap bottle: fresh, lemon, racing acidity. Quickly develops nuttiness and oily texture. Very straightforward and honest. Would be best with fresh fish.
The Dregs:

In France, the term “Agriculture Biologique” has stood for (and been legally enforced as) sustainable farming and production since 1980. This stamp on the back of your wine bottle ensures that the grapes were not treated with pesticides or chemical fertilizers, and that they were produced sustainably. Yes, “bio” wines—the flash French nickname—can be expressive and faultless at their best. With this proven, you wonder when quality-conscious consumers will have the opportunity to study ingredient labels on the backs of wine bottles. The “bio” movement might be more attractive to producers after they disclose the non-grape ingredients that go into their $50-plus bottles of wine and get hit with the subsequent buyers’ reactions.

This bottle of wine is available for under $10 retail and is a screaming deal.

Check out what the Armagnac grapes can do in a dry white wine and why the perpetually confusing “Vin de Pays” appellations are among the best recession wines.

Where:

At home with shrimp étouffée—a bit too spicy for this high-acid wine.

Monday, November 16, 2009

Sterling


Vintage: 1995

Producer: Sterling

Appellation: Napa Valley

Vineyard: Three Palms Vineyards

Grape : Merlot

Bottle Size: Magnum


On My Palate:


Toasted toffee. Black fruit. Earth. Lead, focused oak. Masculine. A little green bell pepper keeps the wine fresh. Very inviting, open mouthfeel. Surprisingly delicious and drinking very well now.


The Dregs:


Magnums aren’t just awesome because they’re big; they are also the perfect-sized house for wine, like upgrading from a studio to a two bedroom with a backyard. Wine from 750 milliliter bottles often tastes cooped up and disjointed upon pouring, an issue exacerbated by age.

This wine out of magnum was literally humming, as if it spent the last fourteen years stretched out on a king size bed listening to Billy Holiday vinyls, watching hummingbirds lick cactus nectar outside its window.


The table that brought this wine in visited Sterling and called the winery a “resort.” Sterling is certainly on the ground floor of classic Napa Valley—the “Napa Valley Resort Area,” as roadsides on the CA128 aptly pronounce.


The best part about the big guns is that they do make reliable wines, as showcased here. This wine still tasted fresh and young and was untainted by wildcard flaws that are too often labeled as “complexities.”


Where:


In the back banquet kitchen, dodging banquet prep cooks. There is no tableside tasting per corporate policy.

Friday, November 13, 2009

Alder Ridge




Vintage: 2005

Producer: Alder Ridge

Appellation: Horse Heaven Hills

Grape : Cabernet Sauvignon


On My Palate:


Dense, focused black fruit.


Rich, dark and brooding black fruit. Blackberry liquer. Cassis.


The oak is there, but well-integrated. It doesn’t overwhelm the fruit but does create a very full mouth feel.


Wide open and refreshing. Thirst-quenching on a dark desert night.


The Dregs:


Yes, I am partial to my home state, Washington; especially when a vinous taste of its terroir fights through the California wine jungle to my palate in North San Diego County.


This wine is fruit driven and built to smack lips now (case in point: Parker’s Wine Advocate rated it 91 points). But the eastern Washington desert keeps the fruit from over ripening (cool nights) and keeps the wine refreshing—a sip of the (irrigated) desert at evening. This is quite a feet for a built for modern markets new world Cab.


But don’t be mislead. At 1,400 acres, the “Alder Ridge Vineyard” is more of a grape metropolis than a single vineyard. But maybe this is for the best, as winemaker Rob Chowanietz points out in his marketing push on the Alder Ridge website: “One of the wonders of Alder Ridge is the diversity in elevation, soil depths, and exposure…. We end up with beautiful blending opportunities within our single estate vineyard.” This mantra is the backbone of Bordeaux. Blending allows the winemaker to hedge against vintage weather vagaries and allows for more varied varietal and vineyard expression—the music of the orchestra versus the lone flutist analogy.


Where:


In the back banquet kitchen, dodging banquet prep cooks. There is no tableside tasting per corporate policy.


Price: $40

Thursday, November 12, 2009

Chasseur



Vintage: 2006
Producer:
Chasseur
Appellation: Sonoma Coast
Grape :
Chardonnay

On My Palate:


Rich and ripe. Sweet tropical fruit—pineapple and banana—wrapped in overpowering vanilla.

Vitamin minerality (Flintstones!) and lemon cream mush the rich, creamy mouth feel.

A whore of a wine. suck it till it’s dry. Love it while it (or you) lasts, and then forget about it. Easily. You’ll remember your headache the next day more.

The Dregs:

Sonoma coast is unanimously the next great burgundy varietal wine frontier. The maritime influence, the enormity of the appellation itself, and the abundance of south-exposed slopes have created a mini “wine rush.”

This is the beauty of California. Everywhere you look, there is new, undeveloped terroir and a plethora of vinous entrepreneurs ready to exploit it.

With the above in mind, I let myself be fooled by chasseur. The wine’s marketing package points towards purchase—a “French” winery producing France’s noble grape in California’s next-to-be-noble Pinot terroir.

William Hunter, winemaker and majority owner of Chasseur, is, indeed, smitten with Burgundy. No, not enough to move to the Côte d’Or to put a couple harvests under his belt, but enough to slap a French name ("chasseur" means "hunter" in French) on his winery when his dreams of an eponymous winery were unrealizable (Hunter was already taken).

According to the Chasseur website, the name does inform the winemaking principles. “Chasseur winery is dedicated to small lot, hand-crafted wines in the old French tradition.” In reality, the wine is over-extracted and whorish. There is nothing traditional or french about it.

The Sonoma Coast is special—the brooding north Pacific Ocean, battered coastline, and tug-o-war between fog and sunshine—so should be its wine. If I wanted a piña colada, I’d drive down to Rosarito and order one, beachside.

Where:

At home with potato-carrot-leak soup and ham-wrapped endives topped with béchamel.

Monday, November 9, 2009

Jordan


Vintage: 2005

Producer: Jordan

Appellation: Russian River Valley

Grape : Chardonnay


On My Palate:


Three-dimensional and straightforward: apple, vanilla french barrel “complexity,” and refreshing acidity.


The Dregs:


Jordan does an excellent job of branding their Russian River Valley Chard. There is no essence of terroir here or vintage vagaries, just a well-constructed, lip-smacking, lab-concocted wine. Yet to be so amiable, the wine gives up other qualities, like being thought-provoking, interesting, or complex in any way. Too much botox and silicon, and not enough heart or head.


Where:


At home with grilled salmon, sautéed summer squash, and rice.


Friday, November 6, 2009

Domaine des Rochelles



Vintage: 2005
Producer:
Domaine des Rochelles
Appellation:
Cabernet d’Anjou

On My Palate:


Strawberries. The touch of sweetness holds this wine together.

The Dregs:

Why the hell am I drinking a four-year-old rosé when the first ‘09’s will the market in the next few months? Loire Valley rosés are, sadly, not the easiest to find in the San Diego wine retail market. In the bottle, this (aged) rosé still looked bright red fresh, and that extra hit of sweetness very common in Cab d’Anjous really held this wine together on the palate. Perfect with fresh strawberries as an aperitif.

Where:

Loire Valley wine tasting around the granite island in the kitchen at Pierre’s house in Encinitas.

Daniel Chotard


Vintage: 2008
Producer:
Daniel Chotard
Appellation:
Sancerre

On My Palate:


Lime, acid, chalk. Mouthwatering.

The Dregs:


Classic expression of old world Sauvignon Blanc from Sancerre.

Classically paired with Crottin de Chavignol goat cheese. I can see where the hay/barnyard funk from the goat cheese should match the grassiness of Sancerre, but the wine really needed a bit more fat to pair well.

Where:

Loire Valley wine tasting around the granite island in the kitchen at Pierre’s house in Encinitas.

Domaine du Pallus


Vintage: 2007
Producer:
Domaine du Pallus
Appellation: Chinon
Cuvée : Les Pensées de Pallus

On My Palate:


Meaty, floral, red fruit, savory. Tightly-wound.

The Dregs:


Bertrand Sourdais caught the attention of international critics and made a name for himself at Dominio de Atauta in Ribera del Duero, and then he came home to run his family estate in Cravant-les-Côteaux in Chinon.

He is following and leading the zeitgeist of modern winemaking. It is so important for next generation winemakers to gain experience elsewhere and grow out of their “cellar palate.” Modern travel and communication has facilitated this opportunity.

This wine is focused and tight—a far cry from the region’s leaner wines from higher yields of yesteryear. Tonight, it is moody and taciturn, but definitely unique, alive, and evolving. I would love to decant it and enjoy (or not) its company for a few hours.

Where:

Loire Valley wine tasting around the granite island in the kitchen at Pierre’s house in Encinitas.

Domaine du Bel Air


Vintage: 2005
Producer:
Domaine du Bel Air
Appellation: Bourgueil
Cuvée : Les Vingt Lieux Dits

On My Palate:


Laser beam red fruit. Red fruit compote. Tight and masculine. Dried rubber. Inky texture.

The Dregs:


Just north and across the Loire River from Chinon. The Gauthiers practice organic winemaking and were friends with the late Dider Dagueneau, the iconoclastic, hero winemaker/adventurer out of Sancerre.

A modern, rustic wine. four years old and hardly a breath of age. Definitely not built to please new world critics and therefore very unique and terroir/place driven. More reason to believe that the Loire is a secret, special, and evolving wine region that should be on every genuine wine aficionado’s radar.

Where:

Loire Valley wine tasting around the granite island in the kitchen at Pierre’s house in Encinitas.

Domaine des Aubuisières



Vintage: 2008
Producer:
Domaine des Aubuisières
Appellation: Vouvray
Cuvée :
Cuvée de Silex

On My Palate:


Apple, smoky, flint, touch of sweetness, and the Loire Valley staple acidity.

The Dregs:


Bernard Fouquet. Lauded as one of the Vouvray’s top producers.

Very Reminiscent of a Mosel Kabinett. I would have liked a bit more fat and wet wool Chenin funk, but now I’m knocking Bernard’s honest efforts for something more over the top—clearly not his style.

Where:

Loire Valley wine tasting around the granite island in the kitchen at Pierre’s house in Encinitas.

Château de Passavant

Vintage: 2005
Producer:
Château de Passavant
Appellation: Coteaux du Layon
Cuvée : Les Greffiers

On My Palate:
Rich raisin honey. singing. Enticing. Inviting. Can’t put it down.

The Dregs:
Another Biodynamic, organic effort.

This wine is near perfect. It is so seductive on the mouth that it belies you into indulging as much as possible until gone. Once the cork comes out, it will never go back in.

This is noble rot-affected, sweet wine elixir. The blood of bacchus? Or maybe just his sweat. after drinking this, dry, red wine will be forever clumsy and boring.

A perfect pairing with blue cheese and honey. Awakens a new dimension of sensual, palate pleasure.

Where:
Loire Valley wine tasting around the granite island in the kitchen at Pierre’s house in Encinitas.

Exceptional

Sunday, November 1, 2009

Introduction: Paris

Paris


It is cool but not cold as I walk up the Rue des Martyrs. It is nighttime but gray; in one year, I have learned that in Paris, the only difference between day and night is the shade of gray.


When I arrive to the building numbered 56, I buzz the apartment on the top floor. A second later, the door itself buzzes and rattles and I push it open. I take the elevator to the fifth floor, and, as I step out, Sean is waiting for me with the door to his apartment open. “Herman!” He calls out shrilly (he never calls me by my real name). “Get in here!”


I mask a bottle of wine under my jacket, and, as I step into his flat, I immediately turn towards the kitchen. “You can’t see what I have. Give me a decanter!”


Two months ago at 10 in the morning on the Rue Richelieu, I was bending over dozens of empty wine bottles behind the bar at Sean’s wine bar, Cochons, sifting through last night’s treasures as I dropped them into a green recycling bin one at a time. It was always depressing to “open” the wine bar, like cleaning up after a party that you weren’t invited to. There were all the wines that I didn’t drink, all the bottles that I will never drink, the graves of people who I will never know.


I picked up an empty magnum bottle and immediately stopped. I sat down at the bar stool and studied the label. “1980 Pippen Cabernet Sauvignon Alexander Valley.” I was familiar with Pippen through months spent eavesdropping over Sean’s shoulders while I poured wine and dried glasses. Sean is a raconteur, as any veritable wine passionate is—there is no coincidence that Bacchus is God of both wine and theater—and, even if I only caught half the story, the story would be repeated in due time, and, after weeks and months of listening, it was possible to put together the tapestry of his wine drinking life.


Sean “worked the harvest” at Pippen Winery in 1980, the year that I was born, the same year the wine from this empty bottle was made. Sean’s stories, however, focused more on Bob Smith, the winemaker at Pippen, than on the winery itself. Bob was, according to Sean, one of the most knowledgeable winemakers around, a stunning compliment by someone who, in over forty years as a wine gypsy, has drank more wine with more winemakers than anybody ever save a handful of pompous wine critics, sommeliers, and auctioneers.


I searched through the wine fridges for a taste. Surely, he thought of me last night and left me a small pour. But I found nothing. I reexamined the empty bottle. Maybe I had missed something; maybe there was a few drops still hiding in the bottom. Nothing.


I proceeded to sweep and mop the floor, arrange and wash the tables, restock the fridges, fold the napkins, set the tables, write up the lunch special while my subconscious slowly submerged my longing desire for the lost wine from last night. More immediate concerns filled my head: “Is fricassée spelled with one or two e’s? Will I eat the magret de canard or the porc rôti for lunch? Where will I put the three pallets of wine that are being unloaded onto the sidewalk in front of the restaurant fifteen minutes before noon?”


Sean arrived as lunch ended. “DuBon! I found you a job! You’re going to California! Harvest at Pippen. I discussed it last night with Bob Smith himself over a magnum of 1980 Pippen Cabernet—which was fucking fantastic, of course, I helped make it!—and he wants you so it’s all set and you don’t have to worry.”


“But I already have a job. I work for you!” I wanted to tell him, but I couldn’t. He was already sitting down, a glass of wine in his hands, with clients on table 14.


Still, I immediately dismissed the idea. I had battled French bureaucracy with patience, persistence, forgery, and elementary French for over a year—from the Ariege to Paris to the Vaucluse and back to Paris—in order to gain student status (even though I never went to school) so that I was legal to work a maximum twenty hours a week (even though I worked 35). For somebody from Seattle living in France, California was not on the horizon. I had only just escaped America. I certainly wasn’t about to go back.


And that’s when I started to believe in Bacchus. The more I though about Pippen Winery, the more I accepted the reality that I would be going, not because I chose to, but because Bacchus did. I began to discard my selfish motives for staying in France—wine, food, five week vacations, French, public transportation, the South, wine, food—and thought about the bigger vinous picture. Wine is a craft. It cannot be learned in a university. There are no PHD programs, no Fulbrights or theses. It must be experienced first-hand under the guidance of those who have experienced it most. If Bob lives up to even half of Sean’s perception of him, I must work for him, no matter what continent he is on. I don’t have a choice. Bacchus has already chosen.


The first bottle—the apéritif—is white. Sean has hidden its identity, too, and he serves it to me out of a decanter. This is the game. I must guess the wine. I throw out tasting notes. “It’s clean, dry, fresh, lots of minerality—chalkiness—no oak—or at least not overwhelming. Green apples,” while Sean sniffs his own glass. I cheat. I examine his face for reaction. A raise of his eyebrows at the mention of “no oak” is a clue.


I have seen, touched, or opened every wine label in Sean’s wine bar and in Sean’s “cave” five and a half stories beneath us. The game for me is a process of elimination. “I’m thinking Old World.” A bashful smile. “Chardonnay.” A vocal intonation. Burgundy.” “Umhmm.” Sean works with one white Burgundy producer. “Domaine Laroche.” “Very good Herman.” “Chablis.” “But which Chablis?” “Premier Cru Les Vaillons?” A pucker of the lips. A negative clue. I am wrong. “Grand Cru?” “That’s better, Herman.” “Les Blanchots.” “Unhmm.” “Vintage?” 2004.” “Cheater!”


We finish the bottle. It is fucking fantastic. I am anxious to serve him the wine that I brought. In this game, the power is in knowing. You cannot guess wrong, while everyone else can. I serve the wine. Sean doesn’t cheat. He sniffs and sniffs and swirls and tastes, all the while looking away from me, abstaining from my gesticular clues. He says nothing, but I can see him thinking. His eyes dart back and forth, even though he is clearly looking at nothing.


“2004 Côtes du Roussillon Villages,” he tells me matter-of-factly. He is a true blind taster. He doesn’t start generally and narrow (“Old World. France.”). He doesn’t play by the process of elimination.


“No,” I tell him, although I have not won. His stab is so specific that it almost cannot be right. Instead, his is so close that it is unsettling. The wine is from Châteauneuf-du-Pape, a hot appellation in southern France famous for growing Grenache and Syrah. The wine produced there is almost identical to the wine from another hot appellation in southern France also known for growing Grenache and Syrah: Côtes du Rousillon Villages.


We are eating dinner now, although the food is really secondary to the wine. It is, however, necessary. To continue drinking, we must eat, and I fork bites of food into my mouth between sips. Sean brings out a new carafe and serves us our third bottle of wine. It is my turn again. After two bottles of wine, our sensory perception must be skewed, but I make up for it with tipsy confidence. I don’t need any clues; I get right to the point.


“The Cab from Penedes.”


“Okay, Herman. I can see where you are going. But you’re wrong. I’ll give you Cab, but….”


I run through the list of wines in my head, but this is my downfall. Sean inherently hates Bordeaux. We hardly have any Cabernets in the wine bar, and he certainly doesn’t have any in his cellar. I don’t know. “I don’t know!” I exclaim in maudlin disappointment.

“Come on Herman! Think! Jesus Christ, my boy!”


I think. “Cabernet. Too bold to be Bordeaux. Probably new world. Lots of fruit. Australia?” Australia?” “No, Herman! Are you a total fuck-up. Come on, my boy!” New World Cab. California. And then I realize. “Pippen.” I am drinking, for the first time in my life, the wine made in the winery where I am about to dedicate six months of my life.


Dinner is over, but we drink two more bottles. His apartment, too, is gray, and it has shrunk since I arrived. Sean, however, hasn’t. He has grown. His movements are brusquer. He needs more space to talk. He pushes his chair back from the table. His black bangs, matted in long spirals, fall over his face from his high forehead. His brow is sweaty. His face is a ruddy red in the half-light.


Sean, at 59, has over thirty years more wine-drinking experience than I do. And he is a Scotsman. I can only imagine what I look like. I finish the dregs of the orange dessert wine from Jurançon. “I should go,” I mutter. “Okay, my boy!” His voice has grown, too.


I step back from the table. In the doorway, Sean pulls me into his gut and slaps my back. “Okay, my boy!” He lets go. “Remember,” he tells me in a fleeting moment of sincerity, “if nothing else, learn! LEARN, my boy, and then come back and see me!”


It is still gray out when I walk back down the Rue des Martyrs in the early morning, but it feels warmer. I move slowly. I am dizzy, but I don’t vomit until the morning, just before I walk to the Gare du Nord to take the train to Charles de Gaulle.